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What s also very cool is the “Elastic Timeline” option, located just above the orange and green bars.
Well, TP4 has the ability to quickly and easily import Photoshop documents, and all I have to do once I get it into TP4 is simply do a quick vertical movement on the PSD file, and my new credit crawl with logos is all set to go.
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The interface is fairly clean, but there s nothing obvious that says: “Click here to get started.” Watching the tutorials and reading the help files on the NewBlue website are essential to using this app successfully.
The third thing you need to know is that this titler can create animated titles for all NLEs.
By far the most overlooked features by the casual user of Titler Pro are the Elastic Timeline and the Multi-Title workflow.
Now, let s take a look at the text that is currently in the canvas.
buy NewBlue Titler Pro 4 Titler Pro 5 is the base version in the titling family.
What does that mean for you? Well, if you happen to be a Genarts Sapphire user, and you have the OFX version of the software, those effects will be available to you inside of TP4.
if you are further pushed for time, as I previously mentioned, Titler Pro comes with a vast number of preset looks, effects, transitions and animations that can easily be dragged from the library directly onto any object in the scene and then easily tweaked to suit.
The question that some may ask is what does Titler Pro offer over other apps such as After Effects or Motion etc? Titler Pro is not designed to compete with those packages,
On the left side of the interface you have three tabs, of which you ll spend most of your time in the Attributes main tab, which is where you can adjust “Object” properties (in the Object Subtab) including Position/Rotation/Scale.
Soft animations such as fades and slow falls would be the more appropriate choice.
What do you do? You now have to spend an hour rejigging the animation so that it takes place over eight seconds, instead of six seconds.
Titler Pro s Mutli-Title workflow is also another innovation that greatly enhances an editor s ability to manage and edit titles across their timeline.
From inside the template folder, choose a title you want to use.
The move should match what the graphic element would do.
The software integrates with an exhaustive list of most of the popular NLE software of the moment, including Final Cut Pro X, After Effects, Adobe Premiere, Avid Media Composer /Symphony, Da Vinci Resolve, Edius, HitFilm 3 and Sony Vegas.
The list of features is exhaustive and I am still discovering things, such as the ability to create templates that can adapt to any final length you require, video texturing and bump mapping.
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Anything that falls into the Orange area will always stay the same length.
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Simply make your edits and every title in your project will update with little or no effort at all.
What resources does NewBlueFX offer to help us create better titles?
Perpetual license holders get access to TP 1&2 and Subscription editors get access to TP 2 and 2.5.
So, to get the best of both worlds Titler Pro offers Elastic Timeline.
A very cool and welcome addition.
TP4 is essentially taking the place of what Marquee should have been able to do for us.
NewBlue Titler Pro 3
NewBlue Titler Pro 2